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    Pastel.orange and pink enamel earrings
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    Pastel.clear enamel earrings with salamanders
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    Pastel.colorful enamel earrings
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    Pastel.textured enamel samples
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    Pastel.clear enamel pieces with texture
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    Pastel.fold formed enamel
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    Pastel.peachy pink enamel earrings
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    Pastel.enameled flora

Torch Fire Techniques for Basse Taille Enameling

Learn the art of sifting enamel onto low relief textures and firing using a torch in this demo-focused virtual workshop on the basse taille enameling technique. We will start by learning how to clear the enamels for transparent colors on copper. This will allow for a wide range of color usage that is often thought of as impossible to achieve on copper.

The course will start with a focus on textures, such as using the rolling mill or using hammers to create repetitive patterns within the metal, including some basic fold forming. Stamping will also be covered for layout and hand-position. During the class, students will have a chance to ask questions on the techniques at each step of the process.

The course will then move on to demonstrations on the enameling process itself. We will discuss grain division of enamels and why this is a critical step. Using spray and catch techniques, we will apply the enamel to the copper and do multiple firings with a torch on a trivet. Questions on kiln firing are encouraged as the instructor is very familiar both with torch and kiln usage for these techniques, though emphasis will be placed on the ever-accessible torch firing approach.

Meet the instructor

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Deanna Pastel was born and raised in Cleveland, Ohio. In 2010 she received her BFA in Jewelry/Metals from Kent State University. Upon graduating, she was offered a position as a bench jeweler and trainer at Heather B. Moore Inc. in Cleveland, OH. This is where she began fine-tuning her skills in soldering gold, setting stones and hand stamping on silver and high end gold jewelry works. 

In 2012 she landed in Austin, TX, and began her career as one of the main teachers and as the studio director/coordinator at Creative Side Jewelry Academy. She spent 2012-2017 developing the school’s core curriculum, while working closely with other master artists and her students.

In 2018 she was granted an apprenticeship to spend two months working alongside artist Victoria Lansford doing macro chasing and repousse, and became a presence both artistically and professionally for the Society of North American Goldsmiths. For the past three years, she has expanded to teaching at multiple schools and colleges around the Austin and San Antonio area providing eclectic and diverse course offerings at all levels of experience. She also continues to work at her bench in her home studio doing commissions, custom and repair work, as well as her personal artworks.

Materials & Tools

The following supplies will be used for course demonstrations and objectives. A suggested item and/or vendor has been provided below for reference. Click the vendor name to be redirected to a page where you can view the item. The quantities needed for each item are listed first. If ordering, please be aware that some items may come in larger quantities than needed for this class. We recommend not opening an item's packaging until the day of the workshop. Student participation during or in-between class sessions is not required - observers are welcome.

 

Metal/raw materials:

 

Torch fire setup (NOTE any of the three working surfaces is fine and the instructor will cover the differences between them as well):

 

Hand tools:

 

Other/miscellaneous items: 

  • hard work surface
  • fan and open window - or ventilation system
  • safety glasses 
  • pencil, Sharpie, notebook
  • rags/towels
  • pump hair spray - suave, etc.
    • Preval system - instructor preference
  • KlyrFire
 

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