Jeanie Pratt

Jeanie Pratt works as studio artist on the Central Coast of California.  She has been a fiber artist since learning to weave in the San Francisco Bay Area in the early 1970’s and more recently has exchanged wire for yarn as the “fiber” of choice.   Her metals education can be described as self-directed as she has sought out workshops and classes with a number of distinguished instructors.  She has exhibited nationally in galleries, museums and shows.  She currently shows at Mobilia Gallery in Cambridge, MA.  You can learn more about Jeanie on her website www.jeaniepratt.net.  

Artist Statement:

I delight in the magical surrealism of reality in nature. My designs are informed by studies of entomology, and life sciences, as well as experiences while living in the tropics and the desert. I savor researching and revisiting the realm of anomalous plants and animals. With this comes the humble reminder that we are just one species in a multitude of interdependent creatures. We are defined as human beings by our need to create personal adornment and art. I feel a connection to a continuum of artisans as I pursue the possibilities that emerge from within me.

As a fiber artist now working with metal; I find that after 30 plus years, I am still striving to turn straw into gold. The textile patterns and textures fixed into the metal evoke memories of the traditional textiles and basketry encountered while living abroad. Translating fiber techniques into silver, gold and copper continues to fascinate me. With a weaver’s eye for color, I explore the processes of applying patinas and enamels, as well as incorporating gemstones and beads into my work.

In the solitude of my studio, I lose myself in time through detailed labor-intensive and historical processes. As I meld my lifelong interests, I endeavor to create exquisite and timeless pieces of jewelry and sculpture. This counterbalances the often irresolvable challenges encountered in my daily life. With passion and joy, I continue to push my own limits as well as the limits of the techniques and materials.