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Stone on Stone

Join Michael Boyd for a live, virtual, workshop on his techniques and methods for setting stone on stone and more. Students will learn important tips for creating custom fit bezels, see his steps for drilling holes into stones, and learn to create mountings with tube rivets and epoxy. Explore ways of adding color, dimension, and texture to your work with stone layering techniques taught by a master in the field!

Meet the instructor

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Michael Boyd is a nationally renowned jewelry designer, metalsmith, and lapidary artist based in Pueblo, Colorado.  Below is a blog article written by Yleana Martinez, that Metalwerx published in 2013.

Michael Boyd made his first piece of jewelry at age twelve. Classes in lapidary at a recreation center in his hometown west of Denver, Colorado, reinforced his love of color and design, but, in college, painting and ceramics became his primary focus. He continued making jewelry, and then, he says, “Metalsmithing just sort of took over.”

More than two decades later, Michael is internationally recognized for his stunning, elaborate jewelry and objects that combine hand-cut stones with a mix of metals. Each piece is a distinctive work of art. Stones the general public wouldn’t easily recognize are often the focus of Michael’s jewelry. Smaller precious gems take a back seat and highlight the surprising beauty of agates, jaspers, and rarer rocks such as mookaite and petrified woods.

Michael recently placed second in two categories of the prestigious 2013 Saul Bell Awards, a necklace in the gold/platinum category and a letter knife in hollowware/art objects. It was his first attempt to apply to a competition—not bad results for a first timer. “It just sounded like fun and I had a few pieces around,” he said.

Lapidary became an important aspect of his jewelry when he realized he wanted to make pieces that did not include traditionally-cut stones. “I wanted shapes and forms that fit the metalsmithing I was doing,” he said. Part of the fun of doing lapidary is that he goes prospecting, sometimes taking along pack goats to carry back his stash. He has traveled throughout the country in search of rough: Montana for sapphires, Wyoming for jade, and all over the west for agate and jasper. Early next year he is joining a group of gemologists in Tanzania to mine sapphires and search for other rough gem material.

Michael is always part of Metalwerx’ Summer with the Masters series. There is typically a flurry of anticipation at the studio as volunteers prepare the studio for his return. Scaffolding is erected for the lapidary work stations, plastic sheeting is tacked to walls to protect tools and the big-screen TV, and steps are taken to ensure there is a fresh and plentiful supply of towels for cleanup.

The biggest excitement happens when Michael empties his suitcases of rough. There can be as many as 60 paper plates filled with a rainbow of rough gems for students to work with, including topaz, aquamarine, jade, rubies, tourmaline, crystal, quartz, and more. One can only drool at the selection and dream of the transformation from rough to sparkling beauty.

Students will benefit from learning how to use stone as a means of enhancing jewelry design. Michael has many tips and tricks to share about how to make perfect bezels, to set stones on top of stones, and to add embellishments. “You can buy manufactured findings—and stones– and stick them on your piece of jewelry,” he said. “I’d rather make my own findings and cut my own stones. These [skills] will make your jewelry entirely your own.”

Over the years Michael has taught hundreds of students the joys of cutting, shaping, and polishing stone. He looks forward to each workshop because inevitably, someone will ask a question that he’s never before had to answer, or he’ll discover some new and better way to present information. “It’s a constant learning process for me,” he said. “It makes you think.” But the best part of hauling equipment and pounds of rocks to set up shop for a week? “It’s fun."

Materials & Tools

The following supplies will be used for course demonstrations and objectives. A suggested item and/or vendor has been provided below for reference. Click the vendor name (in red) to be redirected to a page where you can find the item. The quantities needed for each item are listed first. If ordering, please be aware that some items may come in larger quantities than needed for this class. We recommend not opening an item's packaging until the day of the workshop. Student participation during or in-between class sessions is strongly encouraged but not required - observers are welcome.

Metal/raw materials: 

  • various stones to layer on one another (Rio Grande)

  • fine silver or gold bezel wire - enough for stones (Rio Grande)

  • 6" x thin wall silver tubing - 1.8mm (Rio Grande)

  • 3"x3" sterling silver sheet - 20g (Rio Grande)

  • 3"x3" sterling silver sheet - 26g (Rio Grande)

Hand tools:

Torch setup:

Other/miscellaneous items: 

  • glass dish with flat bottom - for water

  • vaseline

  • toothpicks

  • q-tips

  • little cups - for epoxy and powder (1oz work best)

  • hard work surface

  • fan and open window - or ventilation system

  • particulate dust mask

  • safety glasses 

  • pencil, Sharpie, notebook - for notes

  • rags/towels


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